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Though Joseph Smith Papyrus I is damaged, it is clear from the remaining elements in the vignette, the numerous similarly depicted scenes, and the surrounding Egyptian text, that it is simply a depiction of Osiris on the lion couch in the act of regaining consciousness with Anubis standing over him.

It is not a scene depicting the attempted sacrifice of Abraham, as Joseph Smith claimed. Very near to the beginning of the Book of Abraham, Chapter 1, verse 12, we see the Facsimile 1 scene referenced: The Kirtland Egyptian Papers, which contain notes by Smith and his scribes from their translation efforts, have hieratic symbols immediately following the embalming scene in the papyrus sequentially listed next to English translations of the Book of Abraham.

Since Facsimiles 2 and 3 are not among the extant papyri, it is clear that not all of the original papyri survived.

However, these facsimiles are easily identified by Egyptologists as a hypocephalus and a scene depicting the judgement hall of Osiris, respectively.

Joseph Smith claimed that the hypocephalus depicted scenes of Kolob, the celestial residence of God, among other things.

The picture below shows a side by side comparison of Facsimile 2 with the Leiden Hypocephalus photo by koopmanrob , which is dated to around BC.

Notice the striking similarities in both hypocephali designs, with near identical representations of the Egyptian gods in both design and placement.

Move your mouse over the image to see an overlay of the preliminary sketch of the hypocephalus. Michael Rhodes, a Mormon Egyptologist, has made a full translation of the hypocephalus.

While his analysis is clearly biased by an attempt to defend Joseph Smith, his translations agree with other Egyptologists.

The pictures below show the individually numbered scenes from Facsimile 2 compared to the matching scenes in the Leiden Hypocephalus. As both the translation of Facsimile 2 and the comparison to the Leiden Hypocephalus demonstrate, the hypocephalus had a singular purpose, which was to assist the deceased Egyptian in the afterlife.

By its very nature, it would have nothing to do with the Book of Abraham, as Joseph Smith claimed. To complicate things even further for the Mormons, the hypocephalus was buried with a mummy named Shishaq, and not with the Egyptian priest named Hor, for whom the Hor Book of Breathings was prepared, and from which Facsimiles 1 and 3 come.

To betray his ignorance even further, Smith claimed that the woman standing behind the throne was Pharaoh, when Egyptologists can easily identify the figure as Isis.

Egyptologists identify this scene as the judgement hall of Osiris, who is seated on the throne and serves as the god of the underworld and judge of the dead.

According to Egyptologists, this scene is commonly found at the end of the Book of Breathings. Here is link to a full translation of the extant papyrus and Facsimile 3 by the Mormon Egypologist, Michael Rhodes.

The text does not stand alone in identifying the figures, as the scenes below have Osiris and Isis in nearly identical dress and position.

Below is the Book of Breathings of Ousirour, on display in the Louvre. Photo courtesy of Amberinsea. Here is a judgement scene from the book of the dead of Hunefer, 19th Dynasty.

This papyrus is on display in the British Museum. Behind Osiris stands Isis and Nephthys. See the source and full description at Wikimedia.

Looking at only the depictions of Osiris and Isis in both scenes, we see both figures in almost identical positions and dress.

With the Judgement scene of Hunefer flipped, it is easy to see the striking similarities between the depictions of Osiris in both scenes Isis also stands in near identical position, this time with a different crown and with Nephthys by her side.

Judgement scene painted on the Funerary Bed of Herty. The ROM description of the scene: In the middle of the procession are Herty and his wife.

This judgement scene is found on the mummy-case of Djedmaatesankh, a musician of the temple of Amun-Re at Thebes, on display at the ROM. Egyptian Stela of Djed-inhert-iuf-ankh, depicting Osiris and Isis in near identical dress and position.

Some other excellent examples of judgement hall scenes, showing Isis with the same crown as Facsimile 3 as well as Osiris in the same pose, can be found here:.

Clearly, Facsimile 3 has nothing to do with Abraham or the Book of Abraham. If this were baseball, Smith would have struck out swinging at each of the three facsimiles.

While these theories are all fundamentally flawed and easily debunked, they have provided Mormons confronted with these errors with explanations that are rarely challenged, and that is all that most Mormons need to maintain their faith.

I intend to break that cycle by taking the time to quickly debunk each of the Mormon theories, which are addressed below. Joseph Smith did not "translate" the Book of Abraham in the traditional sense, it was revealed to him.

Part of the discussion around translation involves the Kirtland Egyptian Papers KEP , which contains the work of Joseph Smith and some of his scribes in developing an Egyptian alphabet and grammar.

LDS scholars suggest that these papers are the result of backwards translation. Note that Joseph Smith acquired the papyrus in July of and that the Book of Abraham was not published until the "early s in serial fashion in the LDS newspaper Times and Seasons.

In the first statement, Smith made it clear that he could translate hieroglyphics with enough skill to recognize the writings of Abraham and Joseph of Egypt.

However, all of the evidence demonstrates that Joseph Smith clearly believed that the extant portion of the papyrus was the commencement of the Book of Abraham.

He claimed he was able to identify which rolls contained the writings of Abraham, as stated in quote 1 above. He then incorrectly described Facsimile 1 as a scene showing the attempted human sacrifice of Abraham by the "idolatrous priest of Elkenah.

From our previous analysis, we know that Facsimile 1 is a scene depicting the resurrection of Osiris, originating from the Hor Book of Breathings.

Specifically Smith speaks powerfully about the experience of being a gay African American: These are poems drawn from somewhere very personal.

They sometimes play off from lyrics from musicians like Billie Holiday or Diana Ross and use a unique variety of forms to convey meaning as much in their structure as they do in the choice of words.

Like all great poetry it can be interpreted a number of different ways, but there is a clarity of self here which definitely has something to say.

Feb 18, MissFabularian rated it it was amazing Shelves: May 03, Elizabeth A rated it really liked it Shelves: This slim volume is an exploration of the intersection of being black and gay in America.

These were powerful enough to bump my rating by an additional star. Jun 21, Athena Lathos rated it really liked it. Overall, I found this collection beautiful, brave, and refreshingly varied in terms of its experimentation with poetic form.

Dec 09, Cynthia rated it it was amazing. This is a stellar collection. His pain from his lived experiences with these forces as an HIV-positive, queer black man is palpable, and every poem brims with anger, regret, and unfathomable sadness.

Take your time with this one—each poem is rich, complex, and worthy of reading and rereading. Jan 21, charlie shaw rated it it was amazing Shelves: Sep 30, Adri rated it it was amazing Shelves: They draw out feelin They draw out feelings in you, make you visualize, speculate and understand.

Something I had been craving in poetry but never found until now. This book tackles police brutality, racism, HIV and sexuality and interweaves these themes mostly through the eyes and stories of black men and gay men sometimes mutually inclusive.

Oct 12, Maddie C. Some poems really struck a chord with me and had me completely floored: Oct 06, Ken added it Shelves: If you want a snapshot of where poetry is in , this might be the book.

Danez Smith is an exceptional poet articulating intelligently and powerfully life as a young, gay, HIV positive black person. Anything I could write about this collection would be reductive as the poems manage to do and be so much.

They mourn a cruel reality while imagining a better one. They protest while making peace. They are filled with both haunting and beautiful images.

Smith is a true wordsmith; their handling of language is masterful. Nothing much else to say but: Jun 30, D.

Where the stakes of living are high, Danez Smith puts their body right on the front line--"i survived yesterday," they write, "spent it ducking bullets.

Oct 31, Jerrie redwritinghood rated it really liked it. The poems are at times tender and at other times angry. May 12, Vivek Tejuja rated it it was amazing.

I think for the longest time I avoided reading poetry as a genre because I was scared. Prose will kill you. Let me correct that: Good prose will kill you.

Great prose will leave you bereft. Or the other way around, but once poetry gets into your veins, you are an addict my friend!

There is no way out of it. I was introduced to Neruda. Never say never also might work brilliantly as an adage.

I love poems that seize my heart and wring it with ease. I I think for the longest time I avoided reading poetry as a genre because I was scared. I failed to keep my promise.

Why am I saying all this? Well, because I have just finished reading a brilliant book of poems and I want to let you know how I feel about it. The book in question: When it comes to me, I agree with him.

Poetry like most form of art only reflects what exists around us and should with very good reason. The now that we live in that Danez writes about so and that hits so hard.

The beauty in all of them is striking, almost heartbreaking even. Take this one for example, where the loneliness of the gay man is stark and evident, universal that it strikes a chord one way or the other.

Some poems run into pages and lots of pages and for good reasons while others are explained briefly and they are as effective as any other poem in the collection.

It is life, that seeps, bleeds ad yearns through the veins and the pores. Let me remove my proverbial hat and tip it for Smith.

Jun 27, Jazzmin rated it it was amazing Recommends it for: This poetry collection was outstanding. I read this aloud to myself and might I say I felt every emotion within my self.

The Vatican also receives requests for this book from those who believe the Vatican Library holds a copy. While the stories surrounding the Necronomicon claim that it is an extremely powerful and dangerous book one that would not be safe just sitting on a shelf, where anyone could read it , it is equally possible that the listing has a much more mundane purpose—several equally fictional versions of the book do exist, and since books such as the Necronomicon are frequently stolen from the shelves the entry may simply be an attempt to prevent theft.

In , Owlswick Press issued an edition of the Necronomicon written in an indecipherable, apparently fictional language known as "Duriac".

The book contains a brief introduction by L. The line between fact and fiction was further blurred in the late s when a book purporting to be a translation of "the real" Necronomicon was published.

This book, by the pseudonymous "Simon," had little connection to the fictional Lovecraft Mythos but instead was based on Sumerian mythology.

It was later dubbed the " Simon Necronomicon ". Going into trade paperback in it has never been out of print and has sold , copies by making it the most popular Necronomicon to date.

The blurb states it was "potentially, the most dangerous Black Book known to the Western World". Three additional volumes have since been published — The Necronomicon Spellbook , a book of pathworkings with the 50 names of Marduk ; Dead Names: A hoax version of the Necronomicon , edited by George Hay , appeared in and included an introduction by the paranormal researcher and writer Colin Wilson.

David Langford described how the book was prepared from a computer analysis of a discovered "cipher text" by Dr.

Wilson also wrote a story, "The Return of the Lloigor", in which the Voynich manuscript turns out to be a copy of the Necronomicon.

With the success of the Simon Necronomicon the controversy surrounding the actual existence of the Necronomicon was such that a detailed book, The Necronomicon Files , was published in attempting to prove once and for all the book was pure fiction.

It covered the well-known Necronomicon s in depth, especially the Simon one, along with a number of more obscure ones.

It was reprinted and expanded in Donald Tyson has clearly stated that the Necronomicon is fictional, but that has not prevented his book from being the center of some controversy.

Kenneth Grant , the British occultist, disciple of Aleister Crowley , and head of the Typhonian Ordo Templi Orientis , suggested in his book The Magical Revival that there was an unconscious connection between Crowley and Lovecraft.

He thought they both drew on the same occult forces; Crowley via his magic and Lovecraft through the dreams which inspired his stories and the Necronomicon.

Grant claimed that the Necronomicon existed as an astral book as part of the Akashic records and could be accessed through ritual magic or in dreams.

From Wikipedia, the free encyclopedia. This article is about a fictional book. For other uses, see Necronomicon disambiguation.

That is not dead which can eternal lie. And with strange aeons even death may die. Cthulhu Mythos in popular culture and Lovecraftian horror.

Horror portal Speculative fiction portal. Lovecraft Published February in "Weird Tales". Joshi points out that the text in question was "written in characters whose like narrator Randolph Carter never saw elsewhere"--which would not describe any known edition of the Necronomicon , including the one in Arabic, a language Carter was familiar with.

Literary Swordsmen and Sorcerers. Lovecraft Encyclopedia , p. Call of Cthulhu , p. Vathek; An Arabian Tale. A Dictionary of Modern Written Arabic 4th ed.

The New York Review. Desert Travel as a Form of Boasting:

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